Skip to main content

Carnation

Flowers are an interesting subject. They are complex, natural shapes defined by the way light reflects off of their petals - and we haven't even added color to the equation. Flower painting is not for the faint of heart.

This painting started out as a sketch of a carnation at my local grocery store. The sketch was moved over to hot-press watercolor paper and traced over with acrylic ink. Once the ink was dry, I was free to apply watercolor without any worry of disturbing the lines I created. I decided to try a few different ways of creating highlights and shadows throughout the painting, resulting in a very uneven look.

Overall, I really like what made it onto the paper - I just need to be a little more patient and stick with one style next time.

Comments

Popular posts from this blog

Ice Skating Characters

 

A Competent Profile

As I start to become more familiar with proportions and measurements for the various faces I attempt to draw, I am starting to wonder how to make a more complete portrait with my limited time. Do I stick to lines? Do I bring a brush and some ink? Which lines should I include? Which shapes are important to represent? Maybe this is a good time to look at the work other artists have done and try to work out some of their methods.

Inktober Day 3 - "Bait"

Old school pen and ink. I haven't used a crow quill pen since high school - and, even then, I remember struggling to get it to work. This time, I thought I would try to create something using only cross-hatching. The prompt word today is "bait". This word took me into a lot of different ideas, but the one I ultimately landed on is based on the will-o-wisp. In my head, I imagined glowing orbs in front of a copse of swamp trees all created with layers of cross-hatching. Things had to be scaled back a bit. There are still two trees in the background if you look hard enough. Success? Sort of. It forced me to use a different kind of pen and, in doing so, made me want to keep going and get better with it.