After a few attempts at similar effects, I've come to the conclusion that masking fluid may not be the best method for creating certain details (like veins in a leaf). It's difficult to get a consistent line width with masking fluid. It's even more difficult to create thin lines. Maybe I just haven't found a good applicator for this, but I think I would rather just lift out the veins.
A technique I am fond of is this wet-into-wet technique. If I mix my colors ahead of time and use the proper amount of water, I can fill in a complete shape and add the areas of darkness and discoloration in one go. I'm not always successful with it, but I feel like my washes look a little more sophisticated and professional this way.
Speaking of mixing color - I still feel like I need a lot of improvement there. I'm not having trouble obtaining the correct hue - that's the sort of thing I dream/think about on a daily basis. I just haven't figured out the best practice for mixing the correct amount of color and having the right amount of water.
A technique I am fond of is this wet-into-wet technique. If I mix my colors ahead of time and use the proper amount of water, I can fill in a complete shape and add the areas of darkness and discoloration in one go. I'm not always successful with it, but I feel like my washes look a little more sophisticated and professional this way.
Speaking of mixing color - I still feel like I need a lot of improvement there. I'm not having trouble obtaining the correct hue - that's the sort of thing I dream/think about on a daily basis. I just haven't figured out the best practice for mixing the correct amount of color and having the right amount of water.
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