Architectural Cross-Hatching - A Good Try, Anyway

I have studied perspective in the past. I understand the basic principles pretty well. When it comes to setting up a drawing with so many things of interest, I get lost. When the view from the window is lacking an interesting focal point and the last bits of daylight are slipping away, what can you do? I started putting marks on the paper. This sheet is covered in messy little hatch marks. The result is something kind of muddled and confusing. I had so much fun making that mess, though!

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Ice Skating Characters

A Competent Profile

As I start to become more familiar with proportions and measurements for the various faces I attempt to draw, I am starting to wonder how to make a more complete portrait with my limited time. Do I stick to lines? Do I bring a brush and some ink? Which lines should I include? Which shapes are important to represent? Maybe this is a good time to look at the work other artists have done and try to work out some of their methods.

Inktober Day 3 - "Bait"

Old school pen and ink. I haven't used a crow quill pen since high school - and, even then, I remember struggling to get it to work. This time, I thought I would try to create something using only cross-hatching. The prompt word today is "bait". This word took me into a lot of different ideas, but the one I ultimately landed on is based on the will-o-wisp. In my head, I imagined glowing orbs in front of a copse of swamp trees all created with layers of cross-hatching. Things had to be scaled back a bit. There are still two trees in the background if you look hard enough. Success? Sort of. It forced me to use a different kind of pen and, in doing so, made me want to keep going and get better with it.

Rainbow Bisque

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