Upside-down Nightmare

One thing that really helped when I started learning to draw was turning the subject upside-down. The less you are able to associate objects with their proper names, the less likely you will be to draw their simplified, symbolic representation. It's a valuable tool to the beginner, and still a useful exercise to the advanced artist. Today, though, it produced a nightmare creature.

I can't imagine what people were thinking as they walked by my quiet table - with an upside-down magazine, a pencil and this monstrosity looking back at them. Not that I mind what they think. Portraits and figures and my weak spots - I know that if I want to get better I have to keep challenging myself.

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Ferret

Trying out a challenge to myself - to create "finished" pieces with a limited color palette on a consistent schedule. I am still working out the final guidelines. I think I would like to challenge myself to use a new texture in each piece as well. I've had this unfinished sketch in my sketchbook forever. Even though I'm not entirely happy with it - it feels great to finally have it done!

Ice Skating Characters

A Competent Profile

As I start to become more familiar with proportions and measurements for the various faces I attempt to draw, I am starting to wonder how to make a more complete portrait with my limited time. Do I stick to lines? Do I bring a brush and some ink? Which lines should I include? Which shapes are important to represent? Maybe this is a good time to look at the work other artists have done and try to work out some of their methods.

Rainbow Bisque

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