Water for a desert.

It takes a lot of water to get smooth washes and even tones in watercolor. There's a strange balancing act that occurs between the water in the palette, water in the paper, and water in the brush - too much or too little in any of those areas will be met with chaotic results. Working on large scenes like this one (even at 8.5x11") will require larger brushes than the ones I have been using.

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Ice Skating Characters

A Competent Profile

As I start to become more familiar with proportions and measurements for the various faces I attempt to draw, I am starting to wonder how to make a more complete portrait with my limited time. Do I stick to lines? Do I bring a brush and some ink? Which lines should I include? Which shapes are important to represent? Maybe this is a good time to look at the work other artists have done and try to work out some of their methods.

Inktober Day 3 - "Bait"

Old school pen and ink. I haven't used a crow quill pen since high school - and, even then, I remember struggling to get it to work. This time, I thought I would try to create something using only cross-hatching. The prompt word today is "bait". This word took me into a lot of different ideas, but the one I ultimately landed on is based on the will-o-wisp. In my head, I imagined glowing orbs in front of a copse of swamp trees all created with layers of cross-hatching. Things had to be scaled back a bit. There are still two trees in the background if you look hard enough. Success? Sort of. It forced me to use a different kind of pen and, in doing so, made me want to keep going and get better with it.

Rainbow Bisque

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