Water for a desert.

It takes a lot of water to get smooth washes and even tones in watercolor. There's a strange balancing act that occurs between the water in the palette, water in the paper, and water in the brush - too much or too little in any of those areas will be met with chaotic results. Working on large scenes like this one (even at 8.5x11") will require larger brushes than the ones I have been using.

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Ferret

Trying out a challenge to myself - to create "finished" pieces with a limited color palette on a consistent schedule. I am still working out the final guidelines. I think I would like to challenge myself to use a new texture in each piece as well. I've had this unfinished sketch in my sketchbook forever. Even though I'm not entirely happy with it - it feels great to finally have it done!

Twinbee

Trying some new ways of picking colors for my digital pieces. I was not aware that Illustrator has a tint slider. I feel much more confident sticking to a very limited number of hues with a tint and shade for each. This illustration uses only three: blue, pink, and tan. Twinbee is one of my favorite video games - it perfectly captures the weird concepts and bright colors that find their way into my work. Not sure where this pose came from, but I didn't want it to waste away in my sketchbook.

Rainbow Bisque

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